Music can be completely composed on a computer nowadays, thanks to the variety of processors, and dedicated applications which are perfectly able to mimic real life instruments. Additional effects can be used to fine tune audio, or completely alter instruments. A suitable example here is Blood Bucket, which aims to modulate, and oscillate sound through different controls. Note that the package does not deploy a stand-alone application, but rather contains the required library component to integrate into a suitable VST host, with an abundance of available choices, just like VSTHost. It’s automatically routed to audio output, but it can just as easily be configured, and routed wherever needed. Sound is processed in real time, whether it comes from virtual device, or actual MIDI device input. The set of controls consists of a couple of oscillators, as well as two modulators, with a main control rig for general output. Oscillators are fitted with several different preset algorithms, while modulators provide waveforms like sawtooth, sine, ramp, triangle, pulse, white noise, and pink noise. Some variety can be obtained, because of dedicated controls for each component. Delay, and reverb are configured through ADSR sliders, with pitch to adjust tone. A built-in waveform graph comes in handy for real time analysis of emitted audio frequencies.


 

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Blood Bucket is a simple and versatile Audio effect plug-in, which modulates the output with continuous motion. It can be used to fine-tune a perfect mix, to add a little atmosphere, or to produce sound on the move. Features: – Transient Detection: Audio input is processed in real time, so it follows fluctuations in input (such as volume, pitch, and transients) – Continuous Motion: Modulation can be controlled continuously – Impact Driven: Based on a percussive feedback, the output is controlled continuously by means of a volume envelope – Algorithm Presets: Different variations of Oscillator, Modulator, and Filter are available – One-shot: The effect is instant, but once activated, it can be deactivated for a re-entry of the previously made settings – Effect presets: Each effect has a different set of controls, so it can be used with different settings – Real Time Analysis: For each control, the waveform is displayed in real time – Distinct Effects: A clear interface with all the features a user would need is provided Blood Bucket Control Rig: Audio Output controls: – Noise: On/Off – Output: On/Off – Gain: -24 dB to +4 dB, with a linear, and smooth curve Oscillator/Modulator controls: – Modulator: Main control for the modulation – Pitch: Modulates the oscillator frequency, based on a continuous frequency change – Delay: Delay time in milliseconds – Sample Rate: Sample rate in Hz, – Delay: Delay time in milliseconds – Reverb: Amount of reverb – Width: Level of reverb – Resonance: Level of resonance – Gains: Gain Other Controls: – ADSR: Decay, Sustain, Release (linear values), from 50 ms to 0 ms – Gain: 0 dB to +24 dB, with a linear, and smooth curve – Width: Amount of modulation – Velocity: Velocity curve – Chorus: Amount of chorus – Tremolo: Amount of tremolo – Pitch: Pitch – Effect1: – Filter: Lowpass, Bandpass, Highpass, Lowpass E.Q., Bandpass E.Q., Notch, Lowpass S.Q., Bandpass S.Q., Highpass S.Q., Lowpass Notch, Bandpass Notch – Feedback: Feedback level,



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Controls Mixer controls: volume, pan, reverb, delay, pitch Oscillators – 5 oscillator presets (basic, white, sine, sawtooth, triangle) – oscillator mode – frequency range – base line – sweep range – impulse level – speed – waveform – volume, pitch – resonance – frequency – decay – harmonics – amplitude modulation – AM envelope – FM envelope – low pass filter – high pass filter – low pass resonance – high pass resonance – modulator 1 – modulator 1 controls – modulator 2 – modulator 2 controls – modulator 3 – modulator 3 controls Reverb – type (see below) – output reverb (dry/wet) – presets (see below) – auxiliary output 1 (dry/wet) – auxiliary output 2 (dry/wet) – input (dry/wet) – input level – output (dry/wet) Delay – pre delay – main delay – post delay – delay time (high/low/medium) – noise gate – noise volume – feedback – wet feedback – feedback level – reverb amount – feedback delay (low/medium/high) – wet reverb amount – wet feedback delay (low/medium/high) – fx stereo – master 1 (low/high) – master 2 (low/high) – output 1 (low/high) – output 2 (low/high) Pitch – mod1 (low/high) – mod2 (low/high) – mod3 (low/high) Output – output pan – output pan left/right – output gain – output reverb – input pan – input pan left/right – input gain – input reverb – output 1 – output 2 – aux 1 – aux 2 – master 1 – master 2 – master 3 – output 3 – output 4 – aux 3 – aux 4 Show/Hide – settings page – show/hide oscillator – show/hide modulators – show/hide reverb – show/hide mixer controls – show/hide aux controls – show/hide output controls 14dd13f33a



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Blood Bucket is a whole-body control oscillator and modulator with unique spectral shaping and oscillator enhancements. This software sample includes 5 oscillators with 12 different “options”: * 12 oscillators with 5 different preset “layers”. Each layer can be customised to a sound with a wide range of options. * Tone, Pitch, Volume, Pan, Delay, Reverb, F-Curve, ADSR Envelope, R/P Shift, Ratio, Feedback, Filter, Spectrum, Resonance, and Tone. * 12 modulation sources with 5 different modulation settings: Saw, Sine, Ramp, Pulse, Triangle, White Noise, and Pink Noise. Each can be customised for a sound to a unique feel. * 3 phase buttons with 3 special parameters: Delay, Deselect, and Reverb. * 2 output devices with a built-in waveform display. * A built-in audio analyzer in real-time mode. * Full version features, or 1-patch version, for easier adoption. A “module” can be inserted into the oscillator, with dedicated controls. If there is an irregular spacing between different layers, they can be shifted manually with the controls on the bottom. Editing of parameter curves can be done with both track and playback. Description: The serial output jacks are modulated on/off by the currently selected waveform, while the volume of the input device is automatically adjusted accordingly. Two different waveforms can be set as default, or any other user-defined pattern can be selected. When a module is inserted, the input level is attenuated by the module’s internal parameter curve. Description: Waveform tap features a 3-level output with 5 different waveforms, and dedicated in/out controls, and can be used as a step sequencer. Each level can be customised with a different envelop with a -1/+1 slider, an ADSR envelope, and a secondary output. The secondary output controls the amount of the envelope output. The pitch shift and ADSR envelop can be disabled, and the shaping can be done with a track curve. The sequencer can be manually controlled, and the amplitude can be controlled with two parameters, high and low thresholds, while the envelope is controlled with a track curve. The “mode” can be configured to manual, or automatic via a built-



What’s New in the Blood Bucket?


================== A simple library for audio processing. Oscillators, modulators, filters and effects. Open the main window, click on the folder, then select “Install”, and follow the instructions. In the settings window select the option “Unlock All Updates” and then click on “Install Update”. If the application is not installed, double click on the vsthost.exe file and follow the instructions. Change the Settings: ================== Main parameters are stored in the following group of controls: – Oscillators – Modulators – Filter – Effects Press the “Load/Save” button to open a file browser window. Navigate to the folder where you installed the VSThostExe. Unlock All Updates: ================== The interface is optimized for 1024×768 resolution, but can be resized manually. You can configure the sound quality by changing the slider at the bottom of the screen. The maximum output resolution is 4096×2048 pixels. Oscillator ========== The main oscillator generates a sound when the frequency is increasing. When the frequency is decreasing, it is becoming quiet. There are 6 different settings in the list. Each preset is associated with a color, and each can be selected individually to be the main oscillator. The frequency is measured as an analog output, using a sine wave. Oscillator Delays ================== Set the delay time. The time is measured in seconds, and the delay time is measured in milliseconds. Each value can be either set as real time, or set with a fine tuning delay option. Delay will process sound in real time, but you can change the time in milliseconds and the delay can be applied when you change the control value. Note: The fine tuning delay is not adjustable. Oscillator Reverb ================== Set the reverb settings. It processes the reverb time by processing the sound. It uses a 5 point DSP based reverb plugin, which is installed in the library folder. With this plugin you can add some reverb to the sound, and adjust the amount of reverberation and decay time. Sound Quality ============== The main sound quality settings, such as lowpass, highpass, notch, bandpass, and resonant. All these settings use a DSP plugin. They filter the sound to get a different sound quality. As well as the filter plugin, there is a list of 18 different preset sounds. Each has a different sound quality. The list is created randomly, and the sound quality will be unique for each new preset. Sound Quality Delays =================== Set the delay time. This is measured in seconds, and the delay time is measured in milliseconds. Each value can be set as real time, or set with a fine tuning



System Requirements:


Windows 7, 8, 8.1, 10. Minimum: OS: Windows 7, 8, 8.1, 10 Processor: Intel Core i3-750 Memory: 4GB Graphics: 1GB DirectX 11 Hard Drive: 1 GB available space Recommended: Processor: Intel Core i3-3120 Memory: 8GB Graphics: 2GB DirectX 11



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